楚雄师范学院学报 ›› 2023, Vol. 38 ›› Issue (4): 116-123.

• 书法学研究 • 上一篇    下一篇

《王建之墓志》与《爨宝子碑》的艺术对比

罗思宝1, 陈章林2   

  1. 1.云南现代职业技术学院 艺术与传媒学院,云南 楚雄 675000;
    2.楚雄开发区实验小学,云南 楚雄 675000
  • 收稿日期:2022-09-13 出版日期:2023-07-20 发布日期:2023-09-22
  • 作者简介:罗思宝(1984–),男,云南现代职业技术学院艺术与传媒学院讲师,中国书法家协会会员,研究方向为书法教育学、当代书法创作及审美。

Comparative Analysis of Wang Jianzhi's Epitaph and Cuan Baozi’s Stele

LUO Sibao1, CHEN Zhanglin2   

  1. 1. Yunnan Modern Vocational Technology College, Chuxiong, Yunnan Province 675000;
    2. Chuxiong Development Zone Experimental Primary School, Chuxiong, Yunnan Province 675000
  • Received:2022-09-13 Online:2023-07-20 Published:2023-09-22

摘要: 本文采用对比和列举实证的研究方式,以清代碑学审美理论为依据,对《王建之墓志》与《爨宝子碑》的起源、社会历史背景、刻石工艺、书体风貌以及结体点画等艺术特点展开了综合比较分析,并尝试论述了魏晋碑刻中书法艺术的表现手法,通过对清代碑学审美理论和书法艺术实践的审美意趣分析,以挖掘魏晋碑刻书法对当代书法创作的启示。

关键词: 《王建之墓志》, 《爨宝子碑》, 艺术风格, 魏晋碑刻

Abstract: Based on the aesthetic theory of stelology in the Qing Dynasty (1644-1911), this paper makes a comprehensive comparative analysis and discussion on the origin, social background, stone carving technology, calligraphy style and structure stippling of two steles - Wang Jianzhi's epitaph and Cuan Baozi's stele - and tries to elaborate on the expression methods of calligraphy art in the steles in the Wei and Jin dynasties (220-420). Through the aesthetic theory of stele study in the Qing Dynasty and the analysis of the aesthetic interest of calligraphy practice, we can explore the enlightenment of stele calligraphy in the Wei and Jin dynasties on contemporary calligraphy creation.

Key words: Wang Jianzhi's epitaph, Cuan Baozi's stele, artistic style, stele of the Wei and Jin dynasties

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