《寄生虫》：别开生面的现实主义影像

楚雄师范学院学报 ›› 2023, Vol. 38 ›› Issue (4): 31-35.

《寄生虫》：别开生面的现实主义影像

母华敏^1,2, 滕朝军²

1.北京语言大学文学院,北京 100083;
2.河北科技师范学院文法学院,河北秦皇岛 066004

收稿日期:2022-11-28 出版日期:2023-07-20 发布日期:2023-09-22
作者简介:母华敏（1977–）,女,北京语言大学文学院博士研究生,河北科技师范学院文法学院副教授,研究方向为中国当代文学与影视改编。

Parasite: A Realistic Image with Distinctive Ideology and Artistry

MU Huamin^1,2, TENG Zhaojun²

1. School of Chinese Language and Literature, Beijing Language and Culture University, Beijing 100083;
2. School of Literature and Law, Hebei Normal University of Science and Technology, Qinhuangdao, Hebei Province 066004

Received:2022-11-28 Online:2023-07-20 Published:2023-09-22

摘要/Abstract

摘要： 韩国导演奉俊昊执导的《寄生虫》是一部具有讽刺意味的现实主义影片。它展现了韩国城市贫民的生活,反映了人性的扭曲、沉沦,运用隐喻手法揭示了韩国的阶级差别,采用反转技巧制造了陌生化的审美效果。这部电影思想内容与众不同,艺术风格也别具特色,最终获得第72届戛纳电影节金棕榈奖和第92届奥斯卡金像奖,在思想及艺术方面都有较大成就。

关键词: 奉俊昊, 《寄生虫》, 现实映射, 人性沉沦, 隐喻手法, 反转技巧

Abstract: Parasite, a satirical realist film directed by Korean director Bong Jun-ho to show the life of the urban poor in South Korea, reflects the distortion and degradation of human nature, reveals the class differences in South Korea by means of metaphor, and creates the aesthetic effect of defamiliarization by using reversal techniques. Its ideological content is unique and its artistic style unparalleled. The new and different ideas and artistic production have made this film, winning it the Best Picture at the 72nd Cannes Film Festival and the Best Picture at the 92nd Academy Awards.

Key words: Bong Jun-ho, Parasite, reality mapping, degeneration of human nature, metaphor, reversal technique

中图分类号:

I312.607.3

母华敏, 滕朝军. 《寄生虫》：别开生面的现实主义影像[J]. 楚雄师范学院学报, 2023, 38(4): 31-35.

MU Huamin, & TENG Zhaojun. Parasite: A Realistic Image with Distinctive Ideology and Artistry[J]. Journal of Chuxiong Normal University, 2023, 38(4): 31-35.