楚雄师范学院学报 ›› 2020, Vol. 35 ›› Issue (1): 22-28.

• 民俗学传统:民俗传统与现代转换研究 • 上一篇    下一篇

简论彝族神话在文化旅游开发中的图像景观叙事

陈永香, 殷鹰   

  1. 楚雄师范学院人文学院,云南 楚雄 675000;
    华东师范大学民俗学研究所,上海 200241
  • 收稿日期:2019-12-27 出版日期:2020-01-20 发布日期:2020-12-25
  • 作者简介:陈永香(1964―),女,楚雄师范学院人文学院教授(三级),研究方向为民俗学及彝族民间文化。
  • 基金资助:
    国家社科基金项目“彝汉神话互鉴与文化认同研究”(项目编号18BZW193)阶段成果。

Image Landscape Narrative of the Yi Mythology in Development of Cultural Tourism

CHEN Yongxiang, YIN Ying   

  1. School of Humanities, Chuxiong Normal University, Chuxiong, Yunnan Province 675000;
    Folklore Institute, East China Normal University, Shanghai 200241
  • Received:2019-12-27 Online:2020-01-20 Published:2020-12-25

摘要: 彝族神话系统保存于彝族的创世史诗和英雄史诗中,在彝族地区文化旅游景点的开发中,彝族史诗和神话元素被大量借用,成为景点的名称或构成景点的图像景观。在彝族地区旅游景观建设中,出现得比较多的彝族神话图像景观叙事是彝族创世神话中具有图腾特性的虎、鹰、葫芦和人文始祖阿普笃慕,以及他的六个儿子和神话英雄支格阿鲁等。原始崇拜中的火的图像和色彩也是重要的文化景观构成。具有民族认同建构意义的古老神圣性叙事,在旅游文化图像景观叙事中被世俗化,其原有的民族认同的文化意义被消解和重建,仪式化系统化的神话叙事变成了碎片化的景观图像叙事。传统的民间文化资源转化为现代经济资源,变成现代人追求诗和远方的重要精神文化消费产品,在满足现代人的精神审美需求中实现其经济价值,彝族神话从本民族的文化认同价值转化扩展为与他者共享的经济价值和审美价值。

关键词: 彝族神话, 文化旅游, 图像景观, 文创产品

Abstract: The mythology system of the Yi people is stored in their genesis epics and hero epics. Elements of these epics and myths are widely used in development of resorts of cultural tourism, as image landscape narrative to name or form tourist attractions for example. In these examples the most used images include totems in the Yi genesis epics, such as the tiger, the eagle and the gourd, Ahpudumu – the earliest Yi ancestor – and his six sons as well as Zhigeahlu the mythical hero. Equally important landscape components are images of fire and colors, which are objects of primitive worship of the Yi. In tourist and cultural image landscape narrative, the ancient divine narrative identified by a whole nation as structurally significant is secularized, i.e. its original nationally identified cultural significance is dissolved and reconstructed and the ceremonial and systematic mythological narrative is fragmented into image landscape narrative. In this process, the traditional folk cultural resources are transformed into modern economic resources and eventually realize their economic value by satisfying spiritual and aesthetic needs of contemporary consumers through their transmutation into important spiritual and cultural consumer goods for modern human beings pursuing poetic and scenic beauty of a land far away and exotic.

Key words: Yi mythology, cultural tourism, image landscape, cultural and innovative product

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