楚雄师范学院学报 ›› 2020, Vol. 35 ›› Issue (1): 34-39.

• 民俗学传统:民俗传统与现代转换研究 • 上一篇    下一篇

电影《哪吒之魔童降世》的神话学释读与思考

孙海芳   

  1. 新疆师范大学历史学与社会学学院,新疆 乌鲁木齐 830017
  • 收稿日期:2019-12-16 出版日期:2020-01-20 发布日期:2020-12-25
  • 作者简介:孙海芳(1980―),女,新疆师范大学历史学与社会学学院博士生,主任编辑,研究方向为神话考古,媒介考古。

Mythological Explanation and Reflection on the Film Nezha – Birth of the Magic Child

SUN Haifang   

  1. School of History and Sociology, Xinjiang Normal University, Urumchi, Xinjiang 830017
  • Received:2019-12-16 Online:2020-01-20 Published:2020-12-25

摘要: 论文对热映影片《哪吒之魔童降世》中所蕴含的神话符号进行了梳理,分别从影片所体现的“混沌之初”、卵生人、昆仑符号等创世神话背景,彩陶、青铜结界兽、符咒等物质载体及神话哲学思维入手,阐释了神话符号背后蕴含的文化意义,提出创意文化项目需依靠并挖掘原始编码以提升文化认同的倡议,为电影等文艺创作提供思路与建议。

关键词: 哪吒, 神话符号, 原始编码, 符号经济

Abstract: This paper is a study on the mythological symbols in the box office bomb Nezha – The Birth of a Magic Child. Departing from an analysis of the physical vehicles and the mythological ideas in the film, such as the beginning of the universe, human beings born from eggs, the Kunlun Mountain, pottery, bronze beast images and charms, the paper first explains the cultural meanings of the aforesaid symbols, then proceeds to suggest that innovative cultural projects should dig into the original codes to boost cultural identification to supply movie production with more creative ideas.

Key words: Nezha, mythological symbol, original code, symbol economy

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