楚雄师范学院学报 ›› 2025, Vol. 40 ›› Issue (4): 127-134.

• 语言学研究 • 上一篇    下一篇

骆小所艺术语言学的生态性研究

太琼娥   

  1. 云南财经大学 国际语言文化学院,云南 昆明 650221
  • 收稿日期:2025-04-11 出版日期:2025-07-20 发布日期:2025-09-09
  • 作者简介:太琼娥(1979—),法学博士,云南财经大学国际语言文化学院副教授。研究方向为生态美学、民族艺术、语言学。
  • 基金资助:
    云南省哲学社会科学基金习近平生态文明思想研究专项一般项目“云南少数民族地区传统村寨向和合家园跃升的路径研究”(ZX2024YB60)

Ecological Dimensions of Luo Xiaosuo's Artistic Linguistics

TAI Qiong'e   

  1. School of International Languages and Cultures, Yunnan University of Finance and Economics, Kunming, Yunnan Province 650221
  • Received:2025-04-11 Online:2025-07-20 Published:2025-09-09

摘要: 骆小所的艺术语言学,属于学术语言学的范畴。他在揭示艺术语言的规律时,所形成的学术语言,有范畴、概念、语句三个层次。其范畴表征世界与事物的本体与规律,概念包含世界与事物的本质与属性,语句界定、说明、论述、论证、论辩范畴与概念的意义,构成了一个共生系统,显现了学术语言的生态结构性。他的学术语言,呈现了世界与事物的本体与本质,反映了自然生态、社会生态、精神生态、理论生态。他建构的艺术语言学,表征了艺术生态和艺术理论生态,显示了艺术所包含的自然、社会、精神生态,有着深刻而系统的生态性,呈现了语言学生态化转向的趋势。他的艺术语言学的生态性,还从概念的生态群落性与生态谱系性呈现出来,更从范畴的对生与范畴结构的自旋生增长出来,所建构的自主知识体系,具有民族性、中国性、生态性的特质,具有生态文明新时代的特征。总结艺术语言学由语句、概念、范畴所成结构的生态性,吸纳生态美学生态性与审美性一致的话语系统,可建构具有生态质性的学术语言学,从而为语言学研究体系提供新的学术切入点与理论建构基础。

关键词: 骆小所, 艺术语言学, 学术语言的生态性, 概念谱系, 范畴结构的圈生性

Abstract: Luo Xiaosuo's artistic linguistics falls within the domain of academic linguistics. His academic language, developed in deciphering the principles of artistic language, operates at three levels: categories, concepts, and statements. The categories represent the ontology and laws of the world and phenomena, the concepts consist of their essence and attributes, while the statements define, explain, discuss, demonstrate and debate the meanings of these categories and concepts. Collectively these three form a symbiotic system that manifests the ecological structure of academic language. His academic language reveals the ontology and essence of the world and phenomena, reflecting natural, social, spiritual, and theoretical ecologies. The artistic linguistics Luo constructed represents the ecology of art and art theory, demonstrating how art embodies natural, social, and spiritual ecologies. This framework exhibits profound and systematic ecological attributes, signaling an ecological turn in linguistic studies. The ecological essence of his artistic linguistics is further manifested through: 1) the communal and genealogical attributes of concepts; and 2) the counter-generation and self-evolving spiral growth of categories. The autonomous knowledge system he constructed embodies three defining characteristics–ethnicity, Chineseness, and ecologicality–that reflect the ethos of the new era of ecological civilization. In summary, the ecological structure of artistic linguistics (comprising statements, concepts, and categories), when integrated with eco-aesthetics' discourse system (where ecologicality aligns with aesthetic values), can forge an ecologically grounded academic linguistics. This provides linguistics research with both a novel theoretical entry point and a foundational framework for paradigm construction.

Key words: Luo Xiaosuo, artistic linguistics, ecological dimension of academic language, category genealogy, circulatory generativity of categorical structures

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