楚雄师范学院学报 ›› 2026, Vol. 41 ›› Issue (5): 123-132.

• 文学研究 • 上一篇    下一篇

工农“歌其事”:从创作对象到创作主体的蜕变——基于《大众习作》的编辑实践

许超   

  1. 西华师范大学 文学院,四川 南充 637009
  • 收稿日期:2026-04-30 出版日期:2026-09-20 发布日期:2026-09-30
  • 作者简介:许超(2000-),男,西华师范大学文学院硕士研究生,研究方向为中国现当代文学。
  • 基金资助:
    国家社会科学基金西部项目“陕甘宁边区经济形态与延安文学生产”(23ZXW019)

Workers and Peasants “Singing Their Own Stories”: Ascending from the Object to the Subject-Based on Editorial Practice of Popular Exercises

Xu Chao   

  1. School of Language and Literature, China West Normal University, Nanchong, Sichuan Province 637009, China
  • Received:2026-04-30 Online:2026-09-20 Published:2026-09-30

摘要: 工农“歌其事”不仅是指文学传统中以歌谣形式表现劳动生活,更是指工农群众借助通讯等方式,书写自身生活经验、表达自身情感的一种生动实践。《大众习作》在文艺大众化的实践历程中,继承了左联以来从工农群众中培养大众作者的设想,并在延安根据地的报刊和通讯员网络中展开了具体实践。该刊物以“原作与改作”等特色栏目为主要阵地,开启从规范标点、锤炼话语到培养文体意识的写作指导。编辑人员在提升工农作者写作能力的同时,也注意保留作者原有的通俗语言、民间文艺形式和个体经验。延安文艺工作者旨在以此培养具有大众本色的“工农作家”。但这一培养模式受战时环境、作者文化基础和编辑力量等条件的制约,显现出一定的阶段性和局限性。

关键词: 《大众习作》, 工农作家培养, 文艺大众化, 工农写作, 写作指导

Abstract: “Workers and peasants singing their own stories” refers not only to life and work sung in the literary tradition through ballads, but also to the actual writing about life experiences and emotions through newspapers, magazines and correspondence by the workers and peasants themselves. In its process of popularizing literature and art, Popular Exercises took over the idea, from the League of Left-wing Writers, to cultivate popular authors from the masses of workers and peasants and carried out concrete practice in newspapers and correspondent networks in the Yan’an base area. Through columns like “Original and Adapted Works” and “Instructional Articles,” this magazine offered writing guidance in a variety of areas ranging from standardizing punctuation marks, revising sentences to cultivating styles. While improving the writing abilities of worker and peasant authors, the editors paid attention to preserving the authors’ original popular language, folk forms and personal experiences. Such efforts of Yan’an’s literary and art workers were aimed to cultivate “worker and peasant writers” with basic writing skills who could embody the true character of the masses. Due to wartime austerity, inadequate literary proficiency of the authors and insufficient editorial resources of the magazine, this training mode was not without incompleteness and limitations.

Key words: Popular Exercises, training of worker and peasant writer, popularization of arts and literature, writing of the workers and peasants, writing guidance

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