先秦天人观：古代造物艺术的思想渊薮

楚雄师范学院学报 ›› 2021, Vol. 36 ›› Issue (4): 116-120.

先秦天人观：古代造物艺术的思想渊薮

李娟¹, 钟志强²

1.南昌师范学院人事处,江西南昌 330032;
2.南昌师范学院文学院,江西南昌 330032

收稿日期:2021-04-10 出版日期:2021-07-20 发布日期:2021-07-23
作者简介:李娟（1983–）,女,南昌师范学院助教,研究方向为中国古代文学。钟志强（1983–）,男,文学博士,南昌师范学院文学院副教授,研究方向为中国古代文学。
基金资助:
国家社科基金艺术学项目“感物、咏物、造物：六朝‘艺’‘文’设计思想比较研究”（17CG210）

The Idea of Heaven and Man: the Ideological Origin of Ancient Creation Art

LI Juan¹, ZHONG Zhiqiang²

1. Personnel Department., Nanchang Normal University, Nanchang, Jiangxi Province 330032;
2. School of Chinese Language and Literature, Nanchang Normal University, Nanchang, Jiangxi Province 330032

Received:2021-04-10 Online:2021-07-20 Published:2021-07-23

摘要/Abstract

摘要： 先秦的天人观可谓是中国古代造物艺术的思想渊源,而心物关系则可视为天人观念在文艺创作中主客体互动的重要表现与多元伸张。“天人合一”思想蕴含了符号功能性与审美性统一的造物理念;而“天人相分”理念则是强调主体能动性的工匠精神、“似与不似之间”的艺术追求等造物思想的渊源。“天人合一”与“天人相分”思想的辨析及其对造物艺术观念影响的探索,至今还具有一定的理论价值。

关键词: 天人合一, 天人相分, 造物艺术, 设计观念

Abstract: The thought of heaven and man is the ideological origin of ancient Chinese creation art, and the relationship between mind and object can be regarded as an important expression and multiple-dimensional extension of the idea of heaven and man in the interaction between subject and object in literary creation. The thought of unity of man and nature contains the idea of unity of symbolic function and aesthetics while that of separation of heaven and man is the origin of the production idea of craftsmen that emphasizes the initiative of the subject and the artistic pursuit “between likeness and unlikeness.” Analysis of both thoughts and research on their influence on the artistic concept of creation are of certain academic value.

Key words: unity of heaven and man, separation of heaven and man, art of creation, design concept

中图分类号:

I206.2

李娟, 钟志强. 先秦天人观：古代造物艺术的思想渊薮[J]. 楚雄师范学院学报, 2021, 36(4): 116-120.

LI Juan, ZHONG Zhiqiang. The Idea of Heaven and Man: the Ideological Origin of Ancient Creation Art[J]. Journal of Chuxiong Normal University, 2021, 36(4): 116-120.