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Ecological Dimensions of Luo Xiaosuo's Artistic Linguistics
TAI Qiong'e
2025, 40(4):
127-134.
Luo Xiaosuo's artistic linguistics falls within the domain of academic linguistics. His academic language, developed in deciphering the principles of artistic language, operates at three levels: categories, concepts, and statements. The categories represent the ontology and laws of the world and phenomena, the concepts consist of their essence and attributes, while the statements define, explain, discuss, demonstrate and debate the meanings of these categories and concepts. Collectively these three form a symbiotic system that manifests the ecological structure of academic language. His academic language reveals the ontology and essence of the world and phenomena, reflecting natural, social, spiritual, and theoretical ecologies. The artistic linguistics Luo constructed represents the ecology of art and art theory, demonstrating how art embodies natural, social, and spiritual ecologies. This framework exhibits profound and systematic ecological attributes, signaling an ecological turn in linguistic studies. The ecological essence of his artistic linguistics is further manifested through: 1) the communal and genealogical attributes of concepts; and 2) the counter-generation and self-evolving spiral growth of categories. The autonomous knowledge system he constructed embodies three defining characteristics–ethnicity, Chineseness, and ecologicality–that reflect the ethos of the new era of ecological civilization. In summary, the ecological structure of artistic linguistics (comprising statements, concepts, and categories), when integrated with eco-aesthetics' discourse system (where ecologicality aligns with aesthetic values), can forge an ecologically grounded academic linguistics. This provides linguistics research with both a novel theoretical entry point and a foundational framework for paradigm construction.
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